Monday, September 22, 2014

And the Winners Are! Official Hatstruck Competition Winners and Award of Prizes

1st & Judge's Choice--Mar Balmón Montiel
2nd--Zorza Goodman
By now most of you have probably gotten word of the winners of the The Hatstruck Millinery Competition--Elegant, Fun Couture Hats, 2014.  The competition, at least in my eyes was more than a success, with a few surprises on the side.

The winners are: First in Competition--Mar Balmón Montiel, Madrid Spain.  Mar also won in the categories of Design, Color, Presentation, Theme, and Innovation.
 

Second in Competion--Zorza Goodman, Melbourne, Victoria, Australia.

Workmanship--Jill Cavanagh, Perth, Western Australia

Wearability--Татьяна Иванова

Workmanship--Jill Cavanagh
Judge's Choice--Cécile Hammache
Wearability--Татьяна Иванова,  Moscow, Russia.
Originality--Ron Shelton



 Originality--Ron Shelton, Lakewood, Ohio, of Res Hats.



There were four Judge's Choices (one for each judge), two of which have been acknowledged in winning categories.  The two remaining are:

Mark Anthony Garvie--Dublin, Ireland; and Cécile Hammache, Residence Not Given.



Judge's Choice--Mark Anthony Garvie
Honorable Mention--María Patata Fría
An Honorable Mention was extended to María Patata Fría for her high score, No Residence Given.


The Prizes--Top Prize! besides the prize I'm awarding the First in Competition, Anya Caliendo is also awarding a session with her in New York next year, 2015, valued at $1,750!
 
 First in Competition, Mar Balmón Montiel, will choose her prize first; followed by Second in Competition, Zorza Goodman.  After they have chosen their prizes, the remaining winners will be randomly given a number and that number matched with the number on the gift, including the Judge's Choices.
 
I have to thank my wonderful judges for the wonderful job that they did in picking a wonderful and deserving group of winners.  Besides yours truly, my judges were, in alphabetical order Anya Caliendo, Essie Edwards, and snd Shurie Southcott.


 Anya is world known for her sophisticated avant-garde millinery creations, bursting with color and her works having a unique style that sets her apart from other milliners.   Not only is Anya a milliner, she is, from what I've heard, an outstanding millinery instructor.  Anya is published in books and magazines.  She has a wonderful blog and keeping with the aesthetics of her beautiful, colorful millinery creations, brings her wit and color into word and images there.

Mrs. Essie Edwards just had to be one of my judges, over 60 years as a milliner and teacher and seamstress, and one of my millinery instructors, she is still a very stylish lady.  She makes almost every stitch of clothing she wears and her work is impeccable to this day.  Going into her second year of retirement, Mrs. Edwards is now a volunteer teacher to her  former students.

Shurie Southcott, milliner and instructor, makes the most wonder hats that are fun and topnotch.  Shurie specializes in Victorian-era hats and accessories.

 Thanks to all of my judges; you too will receive a gift for your services.  I thought I had that figured out, but for one of you, I have to go back to the drawing board. 

Again, thank all of you, even down to those that offered to help with postage.  Fortunately, I guessed exactly who would most likely be participating in this competition, and having sold on Ebay before, I had already set aside for that expense. 

Thank you for participating in my dream.  I hope all winners can find some use for all of the junk I'm awarding.  

Winner, please message me on the Hatstruck Couture Millinery Facebook Group page to leave your mailing information.


 

    #Millinery, #Hatstruck, #LeeDuncan

Sunday, August 10, 2014

Another Little Competition Deadline Poke; Competition Prize Package Peak; More Buckram Form Discussion

Straw Millinery Supplies and Hat StretcherThis evening I thought I would continue the discussion from last evening:  competition deadline; continued work on my buckram top hat form for the competition I will be entering; and finally, give you a peak at another prize for this competition..

There's not too much I have to say about the competition deadline, except to remind everyone to read the rules and regulations.  My last blog post will lead you to other posts and all will keep you up to speed.  I wish all of you well.

You've seen two prizes I plan to award, a five-section hat block (the one I don't like), and a strange, vintage department store hat display. Well, here is another prize: eight capeline (cartwheel--wide brim) straws, one vintage straw hood, cello straw braid, and a hat stretcher.

Why the Hat Stretcher? 

Headsize Collars/Lifts
Headsize Collars/lifts
When we measure our head size (headsize) and get a measure of,  let's say 22 1/2 inches (baby size compared to my headsize), for the purpose of making a hat, upon completion of the hat we will have added material(s), sewing thread, sweatband, etc.  Well everything we added to the inside of that hat, even the thread or a knot, takes away from the headsize of the hat.  So, the hat stretcher serves two purposes:  (1) to return the hat back to it's intended size; and (2) to render a perfect sweatband. 

What I've noticed is that when some sweatbands are sewn in, there is rippling in the band; the hat stretcher will eliminate this rippling.  So, what if you have a small, say cocktail hat that you've blocked over a form and you are having sweatband issues?  Force the hat back onto the block, and let it set for a while.  Sometimes you may want to add a little steam to the area, but this is not necessary most of the time.  What do you do if you've made a flat pattern hat and you are having issues.  Make a head size lift (collar); the lift will also work if you don't have a stretcher for a regular size hat, just force the hat over the appropriate lift size.  So it's always a good idea to have various sizes of headsize lifts in your millinery tool box.  Remember to pay attention to small details, such as a rippling sweatband, etc., in order that your hat is seen as a professional piece.

A Little More Work on My Top Hat

Remember last evening that I was draping damp buckram bias strips over a candle holder that I was using as a makeshift hat block for my top hat form.  Well  after it dried I gave it a nice hot dry ironing, and it came out almost perfect. What the dry (without steam) ironing did was to remove some of the bumpiness from the frame.  I will still mull (pad) it with another material in order to give the finished hat a richer appearance. 

The importance of the bias draping without pinning is that this process opens up an opportunity to use any object that you come across to use as a hat block, no matter what its shape is.  Please view my post on the Vase Hat to see how I completed the vase form.  I've refined the method more since this post, and I no longer remove the entire top of the form.

Anyway, once again good luck on the competition!






Friday, August 8, 2014

Deadline for Millinery Competition Drawing Near; Burning Millinery Feathers; Preparing for a Competition I'll be Entering

By this time many of you are either excited about the Hatstruck millinery competition here, or you will be glad when it's over so that I can get on with discussing hat making.  Well I'm in both camps.  This post is written for three purposes:  (1) a reminder that the competition will be ending in a few days; (2) to share a few tips on burning feathers to use as millinery trim or for other purposes; and (3) to discuss what I will be doing for the next couple of weeks as I prepare for the competition I will be entering into--the Mad Hatters Society competition on FaceBook.
 
The Hatstruck Millinery Competition--Elegant, Fun Couture Hats, 2014

I have gotten messages from some of you stating that you will be entering the contest in the last hour.  I understand that because that is exactly what I do when I enter contests.  However, since one of the requirements for entering this contest is that you be a follower of this blog (you may unfollow it after the competition is over), it is important that you complete this process so that I may approve your entry for judging.  Please, I do not want to disqualify anyone.  There will be no exceptions.  Also, I need to be able to identify you if you are under a screen name other than your given name, so please make sure that you let me know who you are.  For competition rules and regulations, please visit the two linked 
locations in this sentence.

Please Note!!!

In order to obtain a higher score in the competition, don't forget to show the inside of your hat, etc; remember that the competition has a theme; review the winning categories to get an idea of what is needed to do well in the contest (presentation, theme appropriateness, workmanship, etc.).  Good luck!

The Competition that I'll be Entering

Yes I'm entering another competition.  You've heard it before--competitions force me to make hats; plus, they force me to design and make something other than what I would normally make.  Although I will be (or plan to) make three hats, I will only concentrate on one hat, the other two will be ordinary, boring hats.  So, for my extraordinary (in my head) hat I've gathered beads, silks, and velvet, and burned some feathers.  Many times I don't even use the materials I purchase for a competition, but this time I will, I must; at least a tenth of them.  I really should start selling some of these hats to recuperate some of my money.

Anyway, the theme for the Hatters competition has something to do with a mad hatter. So I'm using one of my candle holders--shown in the image above--to block my top hat form over.  Usually I pin and nail into my bowls, candle holders, etc. (not my hat blocks!), if I can, but this time I will not be doing so because I like the holder and I don't want to destroy it.

Well, I've draped some bias strips onto the holder using my favorite millinery material, buckram.  Buckram is perfect for this shape because it sticks to itself, therefore I don't have to secure the buckram to my alternative, makeshift hat block.  The resulting form does not have to be perfect because it will be mulled (padded/covered) with another material to smooth it out in order to ready the form for its final outer cover material.  So, why didn't I create a perfect flat pattern?  Because I'm lazy, and when you know how to, you don't have to....

Anyway, the form is drying now, and when it has dried I will remove it from the candle holder, wire it, and mull it, etc.  I'll share those images with you as I proceed.  In the background of the image you'll see the feathers I burned, plus a few other feathers I may use on my EXTRAORDINARY design.  Because it's a top hat and it has been around for at least a couple of centuries, worn by men and women, I don't see how I could improve very much over many of the beautiful ones I've seen over the years.  Plus I figured since I'm always writing about couture hats, I should at least make one every once in a while.   I must also note that I didn't have to make a top hat to satisfy the theme for the competition; I could have gone another route--not so literal, abstract.  I just wanted to make a top hat.  Speaking of feathers, I thought I would share a few tips on how I improved the appearance and texture of my burnt feathers.  I should mention here that, although I have a sketch and a general idea of what I will be making, I can't guarantee you that any of these feathers or jewels will be on the hat,; we'll see.

A Few Tips on Burning Feathers for Millinery Trim 

Okay, by now some of you are familiar with the term feather burning.  Simply stated, it is the removal of portions of the feather (lesser barbs) with a caustic substance; in the case of feathers burning, the caustic substance is bleach. Today the word Clorox and bleach have become synonymous, no matter its manufacturer.  Just a little note here, I pin many resources on my Pinterest board because there is more room there than it is here on the blog.  While you are doing your millinery research, feel free to visit it and to also follow me, as I update the millinery boards quite often.  Above is an image of the anatomy of a feather.  Just by viewing it you may get an idea of the portion of the feather that will burned away (I'll call the areas "the lesser barbs"--the more fragile parts of the feather).


On one of my Pinterest boards, "How Other Milliners and Hatters Do It," there is a pin on burning feather; more specifically, the direct link is here.  The tutorial came from a very good costuming site, Costumes by Lynn McMasters.  So basically I followed those instructions, but I went a little further because my feathers didn't look as professional.  After I burned my feathers, the remaining lesser barbs were stiff and some were stuck together.  So I thought that I didn't rinse them well enough.  Then I thought, after a few experiments, that not rinsing enough was not the issue.  So I hurt my little brain (thinking) trying to figure out the problem.  It came to me that when we dye or bleach hair (or bleach clothing for the purpose of removing color), we have to neutralize the bleach--stop the process of eating away at the material (causing the lesser barbs to melt together).  So in order to stop the process, I had to find out what would neutralize bleach, soda--from my research on the Web.  So for me this worked better.  After burning, rinsing, drying, steaming, and coming, the results is shown above.  The feathers at the top of the image have not been neutralized, while the feathers at the bottom have been neutralized.  Also, I found that the regular bleach is better because the non-splash type bleach is harder to rinse from the feathers because of the bleach's thickness.  Although the feathers above have a medium burn, you can leave them in the bleach longer to obtain more burn--a more wiry look.

Happy bleaching everyone!